Trabant's style of music is a blend of electronic music, punk, R&B and pop. His works are connected through their pathos and humor, with each deeply influenced by the comedy and tragedy of classical theater. Ragnar Kjartansson (b. Strumming a guitar, he plaintively sings the line—“Satan is real; he’s working for me”—repeatedly for 64 minutes. Kjartansson remains a still point and any sense of variation comes from the appearances and disappearances of the children. He also has received numerous awards, including the Icelandic Order of the Falcon; Richard Serra Award, National Gallery of Iceland; and the Malcolm McLaren Award, Performa 11. [6], He was in and out of bands growing up, most notably as a member of the Icelandic band Trabant. Ragnar Kjartansson est un artiste islandais qui allie performance, musique, vidéo dans des œuvres qui sondent le côté tragique ou comique de lexistence humaine. [4] He is the recipient of the 2015 Artes Mundi's Derek Williams Trust Purchase Award, and Performa's 2011 Malcolm McLaren Award. His mother is a well-known actress in Iceland and his father is a director and playwright. [9], In 2009, Kjartansson was selected as the official Icelandic representation at the 53rd International Art Exhibition – La Biennale di Venezia. I’m just writing that to shake you from your over-stimulated malaise. Kjartansson’s résumé is long, and his career is well documented. He can tempt you and lead you astray." The piece returned to the Institute of Contemporary Art in February 2019. Repetition has long fascinated Icelandic artist Ragnar Kjartansson. Courtesy of the artist, Luhring Augustine, New York, and i8 Gallery, Reykjavik. Repetition has long fascinated Icelandic artist Ragnar Kjartansson. Kjartansson's use of durational, repetitive performance to harness c… The artist Ragnar Kjartansson has built his reputation around endurance works, and a Milanese church will host his latest: the same romantic tune repeated hour after hour, day after day, for a … ragnar kjartansson's 'the visitors' consists of nine videos each depicting a musicians, all with a different instrument, performing the same song melody. Kjartansson named the piece for The Visitors, the final album by the Swedish pop band ABBA. " Video Art in the Spotlight " August 9, 2019 Focus On: Ragnar Kjartansson is organized by the Dallas Museum of Art. And it was very freeing, somehow, to know that bad things were going to happen, and sorrow would conquer happiness, and we’re going to die, but that it’s all right, it’s all fine.”. The Icelandic artist Ragnar Kjartansson in his studio, a converted fishnet storage room in Reykjavik. Accordingly, the number of performers substantially increased in God (2007), which features Kjartansson accompanied by a ten-piece jazz orchestra, with everyone dressed in black-and-white attire. Evoking a young Elvis Presley, for a little over an hour, he plays guitar and emotively sings, “Oh, why do I keep hurting you?” over and over. The piece was commissioned by the Migros Museum in Zurich, and was one of the museum's inaugural exhibits. —Kanitra Fletcher, All PDF document downloads on this website require the Adobe Reader. Satan is Real is another test of endurance with the artist trapped within the earth, but remaining present in his performance of the song for more than an hour. Elle pré… His work is often about the nature of art, addressing our romantic mythology of the Artist as mysterious, elevated, or bohemian. [5], Kjartansson was born in Reykjavik, Iceland to Kjartan Ragnarsson and Guðrún Ásmundsdóttir. Provocatively rethinking the possibilities for performance and video art, Kjartansson makes work in which he simultaneously evokes Romantic clichés while using irony, nihilism, and absurdity to undermine them. [citation needed], MoMA PS1 presented the durational performance, A Lot of Sorrow, by Kjartansson on 5 May 2013.[7]. The piece is displayed across nine different screens, each featuring musicians or artists either by themselves or in groups in different rooms of a house, or outside, performing simultaneously but separately. This method would become the inspiration for much of his practice. He further sharpened his talent in music, theater, and performance, ironically while a painting major, at the Icelandic Academy of the Arts in Reykjavik from 1997–2001. Kjartansson’s work has been included in group exhibitions at Whitechapel Gallery, London; San Francisco Museum of Modern Art; The Broad, Los Angeles; Modern Art Museum, Fort Worth; Venice Biennale; and Prospect.2, New Orleans. Ragnar Kjartansson, The Visitors (still), 2012; nine-channel HD video projection with sound, 64 min., dimensions variable; jointly owned by the San Francisco Museum of Modern Art and The Museum of Modern Art, New York During the rehearsals, he would listen to the same lines and scenes repeated over and over. Kjartansson named the piece for The Visitors, the final album by the Swedish pop band ABBA. Icelandic artist Ragnar Kjartansson is the son of an actress and a director/playwright, and spent much of his childhood occupying the fringes of drama rehearsals and performances. Solo exhibitions of these works have been held at Hirshhorn Museum and Sculpture Garden; Mass MOCA; Palais de Tokyo, Paris; Cleveland Museum of Art; New Museum of Contemporary Art, New York; and ICA Boston. Shot in a single take, the work comprises nine life-size projections, each featuring a different musician, who inhabits a separate room or the grounds of the 200-year-old Rokeby Mansion in Hudson River Valley, New York. Their playful innocence, in addition to the lush field of grass and stunning sun-filled weather, also counter any of the grimness or self-seriousness of Kjartansson’s performance, which arose from his mishearing of a Louvin Brothers's gospel song. As he does so, children frolic around him. Luhring Augustine and i8 Gallery present two new portfolios by Ragnar Kjartansson: Repent and Fire. Ragnar Kjartansson's tragicomic performances take on the boundaries between art and life, fiction and reality. Ragnar Kjartansson is an internationally known performance and video artist living and working in Reykjavík. A sentimental portrayal of friendship, love, and loss and one of the best-loved works in the ICA’s permanent collection, Ragnar Kjartansson’s (b. They eventually home in on the line: “Once again I fall into my feminine ways,” repeating the words again and again. Enter the keywords to search through the site, Single channel video Want to sell a work by this artist? … The piece was originally shown at the Migros Museum in Switzerland, and premiered in the United States in early 2013 at the Luhring Augustine Gallery. The Visitors (2012) continued Kjartansson’s use of durational performance in an hour-long piece conceived as an installation. Ragnar Kjartansson (born 1976) is a contemporary Icelandicartist who engages multiple artistic mediums throughout his performative practice. Me and My Mother, Ragnar Kjartansson K jartansson used to feel the same way about conceptual art. This is an honorary award, given to an artist who is believed to have excelled and made his mark on Icelandic art. The Visitors constitutes the performance of a song written by Ásdís Sif Gunnarsdóttir, Kjartansson's ex-wife. Ragnar Kjartansson presented these spell-binding and multi-sensory experiences amongst a wide-ranging survey, shining a spotlight on one of the contemporary art world’s most exciting and evolving artists. Première présentation canadienne denvergure, lexposition comprend un corpus de quatre œuvres majeures qui font découvrir un univers spectaculaire empreint de mélancolie, mais aussi dhumour. Kjartansson thus mocks himself, picturing himself as a cheerless, confused clown that nonetheless amuses and absorbs onlookers. In 2014, Thyssen-Bornemisza Art Contemporary (TBA21) commissioned Kjartansson and a group of 20 artists, musicians, and friends to create the two-part project The Palace of the Summerland. Of course, it’s not boring boring. However, rather than becoming bored or distracted, Kjartansson was fascinated by the way the same words constantly became new. Trabant is an electronic-pop/rock band from Reykjavík, Iceland, known for its raw but powerful music and flamboyant live performances. Each romantically distressed room is lovingly lit and opulently furnished in a style evocative of a John Singer Sargent panting, including the bathroom where Kjartansson appears, playing guitar in a clawfoot tub. The property was the site of an earlier 2007 piece by Kjartansson, titled The Blossoming Trees Performance, during which he recorded himself as a plein-air painter for two days. Kjartansson was born in Reykjavik in 1976 to actor parents, both of whom feature in his performance work Take Me Here by the Dishwasher—Memorial for a Marriage. [citation needed], Kjartansson graduated from the Iceland Academy of the Arts in 2001 and also studying at the Royal Academy in Stockholm in 2000. His video installations, performances, drawings, and paintings incorporate the history of film, music, visual culture, and literature. [10], In 2016, Kjartansson was honored as the year's Reykjavik City Artist. At this early stage, Kjartansson saw something “religious” and “sculptural” in the act of repetition, which he continued in musical performances for live audiences as well as video. The six-hour video A Lot of Sorrow was shot during a performance of the same name conceived by Kjartansson and executed by … View Ragnar Kjartansson’s artworks on artnet. The piece came to the Dallas Museum of Art in September 2019.[8]. Reminiscent of the Lawrence Welk Show, a floor-to-ceiling pink satin curtain covers the set and Kjartansson repeatedly croons the mantra “Sorrow conquers happiness” into a microphone for half an hour. Ragnar Kjartansson, Bliss (2020), single channel video, 11:59:25 hours. As Kjartansson stares deeply into the camera, his performance makes one wonder if he is addressing a particular person, the viewer, or perhaps himself. Cette exposition est la première exposition canadienne denvergure sur le travail de Ragnar Kjartansson. Ragnar Kjartansson, “Death is Elsewhere” (2019) at The Metropolitan Museum of Art, 7-channel video installation (image courtesy The Metropolitan Museum of Art) Since his days in a boy band, however, collaboration also has been a key factor in the realization of Kjartansson’s work. While the lyrics sound bleak, Kjartansson saw the phrase as palliative. The piece was filmed at Rokeby Farm, located in upstate New York, near Barrytown. This summer, The Metropolitan Museum of Art will present the world premiere of a major new work by the acclaimed Icelandic artist Ragnar Kjartansson. His works are connected through their pathos and humor, with each deeply influenced by the comedy and tragedy of classical theater. The Visitors is a 2012 installation and video art piece created by Kjartansson. On view … Celebrated for his endurance-based performances and video installations, Ragnar Kjartansson incorporates all of the arts—musical, theatrical, literary, filmic, and plastic—into his opulent, ironic, and deeply human works. However, in terms of duration, Kjartansson’s most ambitious piece is Bliss (2011). Consign with Artsy. Ragnar Kjartansson draws on the entire arc of art in his performative practice. Art Star Ragnar Kjartansson Moves People To Tears, Over And Over The artist's repeating performance films can bring on a sort of catharsis, and people often cry after seeing a few cycles. Ragnar Kjartansson is an internationally known performance and video artist living and working in Reykjavík. Meet a group of some of Reykjavík’s most prominent artists, comedians, writers, and musicians, friends of Ragnar Kjartansson who have inspired him in his works and performed continuously in the Augarten exhibition space from April 3 to April 27. Kjartansson is a member of the Icelandic rock band Trabant. art magazine Ragnar Kjartansson, The Visitors, 2012.Nine-channel HD video projection, 64 minutes, Edition 4 of 6, Gift of Graham Gund to the Institute of Contemporary Art, Boston and the Gund Gallery, Kenyon College. Il produit régulièrement de vastes projets interdisciplinaires dont la réalisation … His video installations, performances, drawings, and paintings incorporate the history of film, music, visual culture, and literature.