Our string picking hands are not only important, but actually the lifeblood of our playing. That would sound fine, but could possibly have caused a whole new host of problems to solve because of the slur. But her problem was actually with the right hand. Right hand fingerings also make a difference in how you memorize a piece of music on the classical guitar. In the first overview lesson I cover 3 main concepts: alternating right hand fingers, right hand string-crossings and awkward string-crossings, and how practicing technique will help secure good habits and offer a model for good right hand fingering. Well, it alternates too. Again, the use of right-hand finger alternation is obviously beneficial in many instances where dexterity, speed, and ease of playing are of prime consideration. Having said that I fell in love with classical guitars organisational structures particularly in Dexter implementation in both hands; the fact I could learn one modern guitar piece and then straight away apply the learned technique to another modern work was very attractive. By alternating the fingers, one can play staccato notes at a fast tempo and still keep the right hand and arm tension-free. 1 Both Julian Byzantine and Scott Tennant have similar things to say about the movement of the right hand. Read more about Left Hand Accuracy on the Classical Guitar. When they alternate their fingers, one hears the alternation: strong tone, weaker tone. The little finger. When learning to play fingerstyle guitar, one of the first things you’ll encounter is the acronym PIMA. 2 = Middle finger. ClassicalGuitar.org is your source for all the latest and best classical guitar info on the web. The down-bow is slightly stronger and fuller than the up-bow. We’ll leave our pinkie down against the body of the guitar to serve as an anchor. Left hand pink - certainly (I'm sure you assumed that already)!
Numbers without circles appearing next to or near note heads tell you which left-hand fingers to use, as follows: 1 = Index finger. Guitar finger names for the left hand Guitar finger names of the fingers in the left hand are named according to numbers. Both add, however, the the large knuckles at the base of the fingers should remains generally over top of the finger … All Rights Reserved. So always double check to see that you are using your intended fingering on dotted passages. Right-hand technique is a major part of classical guitar study. Play loud and fast! Start with … I was so dedicated to practicing these I would try to practice all 120 – every day! Note: You must have Adobe Reader 10 or later installed on your computer to play the videos contained in the PDFs. 4=Little Finger . Download Right-Hand Finger Alternation
I believe Sor really had a different technique to what we would know consider healthy (don’t quote me on this though) and furthermore it is this very difference that is part of why his music stands out compared to other ‘guitarist composers’ of the 19th century, his technical eccentricities often but not always influenced his note choices, particularly in arpeggio and block harmonies. The above exercise is from my new book Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios. Visit ClassicalGuitar.org for Right Hand Fingering Guide and more from Classical Guitar Technique. One habit that my instructor is trying to break me of is using my ring finger too much. I guess the only question is: how much do you want to sound like Sor?
In this video lesson I really want to focus a lot on the right hand classical guitar fingerstyle pattern we are going to learn today. With the right adjustments, you can continue pursuing your passion. All considered no mean feat as the sixth string was a recent guitar innovation that had only been added a quarter-century earlier. Because of the moderate tempo, there is no sacrifice in control, rhythmic precision, or ease of playing (example #14): I don't believe anyone could say either method of fingering was totally right or totally wrong. A fingerpicking pattern is a right-hand fingers movement in which the thumb, index, middle, and ring finger pluck the strings to play the notes of a chord or a melody. This page gives you step-by-step instructions about how to grow and shape classical guitar nails, and shows you the various nail shapes that you can choose from. Try playing the subject of this fugue with "m" throughout, then again by alternating "im." Could my legato sound be better? It consists of playing four notes on two strings alternating each note. To alternate, or not to alternate, this is the question we will examine in this tech tip on right-hand fingering. The pinkie will help keep your pick-hand steady at all times. Copyright Douglas Niedt. To alternate, or not to alternate, this is the question we will examine in this tech tip on right-hand fingering. Also follow us on Facebook, Twitter, YouTube, Instagram, and Patreon. One secret to achieving a relaxed right hand is the … Using open-strings as drones (notes that constantly overring) can give the music a full, rich texture. We are taught from our very first guitar lessons to alternate our fingers. Alternating string crossing from 7 Technical Routines for the classical guitar The overall goal with this training is to get your right hand to know the strings so well that you have no need to look at them at all when playing. As well as the above answers, which talk about standard classical technique, my favourite cheat is to put my thumb and first finger together and use the first finger as a pick. Therefore, the technique is: if you pluck with finger "x," cut with finger "y." It seems that when I bend my fingers, both of these bend towards each other. It is a good idea to have someone observe your right hand as you play fast scale passages to be certain you are alternating. In classical guitar music, most of the right-hand technique falls into two categories: arpeggios and scales.
You've got P (pulgar: thumb), I (indice: index), M (medio: middle), and A (anular: the ring finger). m = middle. Enter PIMA. I think that if you want to play Sor in depth including one off learning of any of his master works I would learn his fingering and create diversity in my right hand. Finger alternation is also a valuable technique in playing staccato passages. Wow, what a great question. Esercizio No. As always, let’s start with the video lesson so you can have an idea of what we are going to learn. -Practice all this using open strings … Without a pick, you need a way to know which finger on your plucking hand plays which note. Guitarists who sit with the guitar on their right leg or stand rest their right arm on the body of the guitar at the elbow. Let me emphasize, there is nothing wrong with there being a slight difference in tone between say "i" and "m" and being able hear a very slight strong-weak pulsation when alternating "im." Remember, I am talking about tone, not the rhythmic pulse. That said, practicing a ton of right hand exercises and technique studies will inform you and train your muscle memory. I have my right hand fingers totally involved in my style, changing between guitar pick and fingers all the time. thanks for your advice, Steve. It is very easy to accidentally repeat fingers without realizing it. They each have their own philosophy of thought behind them. 5.2. The tension thus produced in the right hand added tension to the left hand. I am a classical guitarist. It could be argued that a more sensitive control of tone quality could be achieved by using "m" exclusively to play the melody throughout the piece. One example that comes immediately to mind where alternation is a questionable practice, is in the initial statement of the subject in a fugue where that subject is in slow moving notes (example #9): In the Fuga, hearing the repeated E's played by alternating fingers and thus resulting in a slightly different tone on each E literally makes me cringe. I’m concerned that if I’m not consistent in using the same right hand fingerings I will develop bad habits. Should I, for example, be consistently using M and A to alternate on the E string when playing the D string with my thumb? Now let’s bring the other pick-hand fingers into play. She was having difficulty with this passage (example #4): She had tremendous difficulty in changing from the thirty-second notes to the G major chord. Yes - alternate your fingers. Remember that most staccato is correctly produced by the right hand stopping the strings, not by the left-hand fingers lifting off the strings. ClassicalGuitar.org is your source for all the latest and best classical guitar info on the web. No matter what you believe, practicing scales or scale technique can have a positive effect your playing. measure three is often played staccato to give the phrase a dance-like flavor (example #5): Many players would play each interval in measure three with "p" and "m" (or "i") and stop each interval (the staccato) with "p" and "m." Although it could be played that way, a lot of tension would be produced in the right hand and arm because of the fast speed at which the piece is usually played. It’s a great exercise for working on your fundamental right hand technique. To do this, the thumb should be in-front of the fingers (closer to the headstock). If you want to practice right hand techniques while you read music (two birds with one stone there) I have a free pdf you can download. Singing on top of that would be overkill. As noted above, strict alternation of the fingers helps to ensure rhythmic evenness in fast scale passages. Play the first interval with "p" and "m" (example #6): Then cut the sound of those two notes by immediately placing "p" and "i" on the fourth and first strings. If you eschew such paraphernalia as picks and want to go au naturel with your right hand, you should try finger-style playing, or fingerpicking.Fingerpicking means that you play the guitar by plucking the strings with the individual right-hand fingers. The most common way to use your right-hand fingers to finger-pick on the guitar is to play an arpeggio. August 9, 2017. Learning this way is possible if you think of the new technique as part of learning the work and thus frame your conscious activities around the written marking and allow this to slowly influence your subconscious activities such as muscle memory as part of this memorised work. Part 1 – YouTube Link (4k) This is Part 1 of a 4 part lesson series on right hand fingering for classical guitar. You are going to play (on the first string) F# then G then F# again. Whenever there’s a string crossing the arm carries a finger to the next string. Now the "p" and "m" are resting on the fourth and first strings, so use them to pluck the next intervalagain, they are already on the strings. Picking hand fingers are usually indicated with initials for the Spanish names of the fingers, because fingerstyle guitar originated in Spain. Finger alternation is another important element of choosing right-hand fingerings. Very broadly, learning the standard acoustic guitar involves more all-out strumming, but learning classical guitar requires more fingerpicking and arpeggio style. Never repeat a finger, always alternate. Three fingers simultaneously: Three fingers sequentially: Challenge: 3 Finger Studies. (Example #8): Then cut the sound of that interval with "p" and "i." So, therefore what do players want to do? To alternate, or not to alternate, the choice is yours! In the course, you'll learn what that means and you'll see there doesn't need to be anything difficult or stressful about that, and you don't need any special background or skills to learn how to finger … All beginning guitar methods emphasize the importance of alternating "im" or "ma" or "ia. Because the right-hand approaches the strings … Using the right-hand little finger generally falls into the category of “special effects”, or special techniques. If you don’t know your finger names on your right hand here they are: i = index; m = middle; a = angular (ring finger); p = thumb Do you have a question? Naturally, they tend to favor that finger for notes that are on the beat. Right hand pinky... almost never. And so on. If there is a slur in a scale passage, unless the passage is very, very fast, usually a finger may be repeated from the slur to the next note without losing control or evenness (example #1): Although I don't recommend it, some players (especially some flamenco players) like to repeat fingers at string changes on descending scales (example #2): As far as which fingers to use in playing fast scales, most players prefer "im." This comes via her fantastic YouTube.I love the correct and incorrect demonstrations and the whole conversation about the reflex oriented return of the fingers. Again, using Bianco Fiore as an example,
Suggestion for the website? Narciso Yepes recommended using "ami" on many scales explaining that this pattern yields greater speed with less effort than a two-finger
Try playing it with all "m" and you will feel your hand tense and hear an ill-defined rhythmic figure in which the dotted eighth becomes too short and the sixteenth too long. One of the coolest things about learning classical guitar is developing a fingerpicking right-hand technique. Fingering is the term guitarists use for the choice, or assignment, of specific fingers to play a given note or passage of notes. But in my opinion, the quality of each note, especially the repeated E's, should stay equal, serene, and pure. But most players would alternate anyway in this kind of situation. Steel-string acoustic guitar – Most self-identified fingerstyle players choose to play on steel-string acoustic guitars. But there are exceptions to maintaining strict alternation. Step 1: Grow Fingernails As a classical guitarist, you need to grow nails on the thumb, index, middle, and ring fingers (p, i, m, a) of your right hand. The motion of the right hand fingers is ballastic–it’s quick, they explode through a string. I notice that between Fernando Sor’s studies and Guiliannos, for example, they will quite often, each use different right hand fingering for playing the same arpeggios–maybe even the same songs. However, what happens to the tone when we alternate our fingers? I have seen students unknowingly repeat fingers on a two-octave C major scale played at a moderately
Never repeat a finger, always alternate. Not often, but sometimes. Intermediate students should also review this because repeating fingers by accident is such a common intermediate mistake. Then pluck with finger "y" (which is on the string already) and cut with finger "x." Pluck the strings upwards towards the palm. In general, the right hand is able to produce a cleaner, more varied and controlled staccato than the left hand. Sep 8, 2019 - Lesson: Alternating Right Hand Fingers for Classical Guitar - YouTube The classical hand position rests the fingers on the strings that they play. pattern. Our right hand probably uses free stroke (tirando) at least 95% of the time in playing pieces. I have lost count of how many times I have caught a student using "m" on each melody note in measure five even though they thought they were alternating "m" and "i."
There will always be multiple fingerings that could be considered acceptable for any piece. Each finger is named with a letter. Thanks for that exercise pdf in the last newsletter, its has been very useful with my students. Advanced students may wish to bring the metronome up to 120 beats tot he quarter note. William Carter (SACD) Some guitarists prefer to use a “floating” pick-hand (no anchor), but I recommend anchoring the pinkie because doing that works well for me. The right hand finger should move directly away from the left hand fingers without bouncing off of them. His three-part, five-finger series, “Extending Right Hand Technique to Include the Little Finger” was published in Soundboard in its Spring, Summer, and Fall issues in 2002, with a follow-up interview in two issues later in 2003. This will cause tension in the right hand and you will lose accuracy. So are ghost notes. Now that "p" and "i" are on those two strings, go ahead and pluck the next interval with "p" and "i"they are already on the strings. It is very difficult to achieve anything resembling speed without alternating. Advanced students may wish to bring the metronome up to 120 beats tot he quarter note. 2=Middle Fingers . Here are a few lessons on right hand alternation for the classical guitar. The combinations for this exercise are: … Visit ClassicalGuitar.org for Right Hand Fingering Guide and more from Classical Guitar Technique. Fingerstyle playing requires the use of the fingers on your right hand instead of using a pick. Let’s take a simple scenario. Classical Guitar Cover (Sheet Music+Tabs) August 7, 2017 “A Way of Life” from Last Samurai on Classical Guitar. One can pick using any number of right hand patterns. I like no nails, so I can actually feel the strings and have full control over the dynamics, and get a warm, dark percussive sound. Alternating two (or more) fingers is very good if you want to play some fast runs, so it's good to be able to do it, but you certainly don't need to use it everywhere. You will also find that you become more sensitive to how you play each note and your sense of touch in the finger will become heightened when you use one finger repeatedly on this passage. Alternate Tunings – Though not always, fingerstyle players frequently use non-standard tunings, as well as capos. "However, as one plays more advanced repertoire, slavish adherence to the
All beginning guitar methods emphasize the importance of alternating "im" or "ma" or "ia." The I finger enjoys the opposite.